DeFence Project at Τhessaloniki Concert Hall

On the occasion of the celebration of the European Music Day on 21st of June, a large scale happening is going to take place at Megaron Concert Hall of Thessaloniki at 23:00.

DeFence is an open performance for 4 orchestra conductors, 88 performers with: hammers, hand wrenches, motors, sheet metal, cables and other hardware tools used as sound actuators. The ultimate target of the performance is the desintegration of the wire mesh that surrounds the buiding M2.

The visual borderline, the boundaries of an image, the physical barriers, are not able to set also a sound limit. Although the conversation with any kind of restriction or borderline is in many cases challenging, in this case, for artistic reasons, such an artistic debate can be initiated only if by the end of the event the physical barrier will disintegrate. The border will be deconstructed and abolished through and within the artistic action itself.

D. Maronidis | Concept | Composition | Electronics | Sound Design | SuperConducting
M. Sionas | Direction
C. Gousios | Audio Engineering
D. Fotiadis, P. Metaxas, T.Sourgounis, Z. Seglias | Conductors


Multiplexing at MOMus | Center for Experimental Arts | Thessaloniki

Multiplexing, my last kinetic sculpture will be presented at MOMus Center for Experimental Arts at the port of Thessaloniki between 14-26 May 2019. (www.cact.gr).

In telecommunications and computer networks, multiplexing (MUX) is a method by which multiple analog or digital signals are combined into one signal over a shared medium. The aim is to share a scarce resource. For example, in telecommunications, several telephone calls may be carried using one wire. Multiplexing originated in telegraphy in the 1870s, and is now widely applied in communications. In this particular work, the idea of MUX is transferred into the sound domain. A series of logically performed processes are channeled and distributed through a transistor array, activating a matrix of micro-sound sources and building a larger, mechanically generated, soundcloud. 

Graffiti | Interactive Sound Installation at TSC

Graffiti is an interactive sound installation. You are invited to use your smart devices to trigger sound events in real-time acting as composers, conductors and performers. The system will respond to your commands and create sounds. New soundscapes can arise on the fly in a playful way – giving the opportunity for each participant to feel the excitement of music creation even without any pre-developed musical skill. Download the special app and start making sounds with a virtual symphonic orchestra!

Come an enjoy playing with it at the State Conservatory of Thessaloniki. 
Dates 2-15 May 2018

Transient Beauty released on CD by Luc Ferrari Competition

Transient Beauty for Tape is now released on a CD in limited edition by the organizers of the Interantional Electronic Music Competition “Luc Ferrari – Presque Rien”. 

Info about the CD Here

The work “Transient Beauty” was composed at ICST ZHdK Zurich during a two weeks residency in August of 2015 and it reflects all the dramatic conditions I was going through, in the previous month, during a very unstable (politically and economically) period in Greece. The form of the piece consists in reality a transition from a very dense, noisy, harsh and chaotic sound world to the beauty and tranquility of a calm woman’s voice reflecting the alteration between feelings of immense anxiety and hope.

[…]Turning shadow into transient beauty (T.S. Eliot)

Transient Beauty (for Tape) at CIME/ICEM Lisbon Portugal

Transient Beauty for Tape is going to get a performance at CIME/ICEM in Lisbon-Portugal. The piece will be diffused by German-Toro Perez director of ISCT (Zurich) where the piece was composed. The piece was composed at ICST ZHdK Zurich during a two weeks residency in August of 2015 and it reflects all the dramatic conditions I was going through, in the previous month, during a very unstable (politically and economically) period in Greece. The form of the piece consists in reality a transition from a very dense, noisy, harsh and chaotic sound world to the beauty and tranquility of a calm woman’s voice reflecting the alteration between feelings of immense anxiety and hope. Some of the music material is based on recordings Luc Ferrari made during May ’68 in France.

Date of Concert 3 October 2015