Interactive Music Systems | Exhibition 2019 AUTh

Please find here a short video with excerpts from the works of my students created during our easter semester course “Interactive Music Systems” at Aristotle University of Thessaloniki. All projects are based on Arduino programming, interfacing with various hardware sensors (photodiodes, distance sensors, switches, potentiometer etc) and communicating with various software platforms like Live Ableton, PureData, etc.

DeFence at Τhessaloniki Concert Hall

On the occasion of the celebration of the European Music Day on 21st of June, a large scale happening is going to take place at Megaron Concert Hall of Thessaloniki at 23:00.

DeFence is an open performance for 4 orchestra conductors, 88 performers with: hammers, hand wrenches, motors, sheet metal, cables and other hardware tools used as sound actuators. The ultimate target of the performance is the desintegration of the wire mesh that surrounds the buiding M2.

The visual borderline, the boundaries of an image, the physical barriers, are not able to set also a sound limit. Although the conversation with any kind of restriction or borderline is in many cases challenging, in this case, for artistic reasons, such an artistic debate can be initiated only if by the end of the event the physical barrier will disintegrate. The border will be deconstructed and abolished through and within the artistic action itself.

D. Maronidis | Concept | Composition | Electronics | Sound Design | SuperConducting
M. Sionas | Direction
C. Gousios | Audio Engineering
D. Fotiadis, P. Metaxas, T.Sourgounis, Z. Seglias | Conductors

Transient Beauty released on CD by Luc Ferrari Competition

Transient Beauty for Tape is now released on a CD in limited edition by the organizers of the Interantional Electronic Music Competition “Luc Ferrari – Presque Rien”. 

Info about the CD Here

The work “Transient Beauty” was composed at ICST ZHdK Zurich during a two weeks residency in August of 2015 and it reflects all the dramatic conditions I was going through, in the previous month, during a very unstable (politically and economically) period in Greece. The form of the piece consists in reality a transition from a very dense, noisy, harsh and chaotic sound world to the beauty and tranquility of a calm woman’s voice reflecting the alteration between feelings of immense anxiety and hope.

[…]Turning shadow into transient beauty (T.S. Eliot)