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Clarinet Concerto premiere in Rīga by Guntis Kuzma | Latvia

Concerto for Clarinet, String Orchestra and Electronics is getting its premiere at Latvia on the 12th of March by Sinfonia Concertante and Guntis Kuzma who is going to be both the soloist and conductor! The piece was commissioned by JVLMA Mūsdienu Mūzikas Festivāls deciBels, a festival on Contemporary Music in Latvia.

Prob_My Berio for solo Flute premiere in Thessaloniki

Prob_My Berio Chain for solo flute is getting its premiere on 24th of February 2020 at Vafopouleio Cultural Center at 20:30 by Andreas Smyris. The piece was composed 17 years ago, while I was still a student at the Music Department of the Aristotle University of Thessaloniki. It was part of an assignment in the Computational Models Course which was taught by Emilios Cambouropoulos at that time. In this piece, I implement first order Markov Chains to analyze and then re-compose the Sequenza for solo flute by Luciano Berio. The piece is a tribute to this great Italian Composer.

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5 Movements performed by Jana Luksts at DiMenna Center | New York

A new video just released! An amazing performance of 5 Movements for solo piano by the Canadian pianist Jana Luksts at The DiMenna Center for Classical Music in New York! This piece was composed back in 2017, in a period when my young son was obsessed with the music of George Gershwin. Listening to the music of Gershwin on a daily basis has influenced my own composition one way or another. Isn’t a composer supposed to be a filter on reality?

Dedicated to my son Iason Maronidis, for being a startling light of hope.

Jana Luksts, piano
Mariano Wainsztein, director
Daniel Baruch, sound
George Katehis, editing, production

Muted Blast (.2) Concert of meta.ξ | New York

Transient Beauty for tape and Orbits for piano and tape are going to be performed at New York on 15th of November 2019 by the Canadian pianist Jana Luksts!

-meta.ξ, a collective of Greek composer/artist/design-curators, is presenting a concert of cutting-edge works featuring piano, electronics, double bass, interspersed with electro-acousmatic music. meta.ξ is bi-laterally based between the United States and Greece, with members living and working everywhere in between. The collective aims to strengthen the voice of the post-crisis generation of Greek composers, while embracing subversive and under-represented artists internationally.

With performances in prestigious venues across the globe, this is the first time meta.ξ will bring a concert to New York City. Jana Luksts (piano) and Evan Runyon (double bass), will navigate and experiment with scores involving electronics, robotics, and light design.

Programm, Muted Blast 2, metaξ (meta-ksi.com)
Benzaquen Hall, Dimenna Center for Classical Music
Jana Luksts, piano (www.janaluksts.com)
Evan Runyon, bass (http://evanruyon.com)
November 15, 2019 at 8PM

4 (Hommage) Études published by Universal Edition | Vienna

Four (Hommage) Études for solo piano is now published by Universal Edition. The piece consists of 4 short pieces for solo piano of which, each one makes a tribute to the following composers, Lachenmann, Ligeti, Reich, Smite. The purpose of the work is to introduce young students to the aesthetics of modern music in an enjoyable way.

You can buy your copy here

You can listen to the piece being performed by Tobias Weiss here

Interactive Music Systems | Exhibition 2019 AUTh

Please find here a short video with excerpts from the works of my students created during our easter semester course “Interactive Music Systems” at the Aristotle University of Thessaloniki. All projects are based on Arduino programming, interfacing with various hardware sensors (photodiodes, distance sensors, switches, potentiometer, etc) and communicating with various software platforms like Live Ableton, PureData, etc.

DeFence at Τhessaloniki Concert Hall

On the occasion of the celebration of the European Music Day on 21st of June, a large scale happening is going to take place at Megaron Concert Hall of Thessaloniki at 23:00.

DeFence is an open performance for 4 orchestra conductors, 88 performers with hammers, hand wrenches, motors, sheet metal, cables, and other hardware tools used as sound actuators. The ultimate target of the performance is the disintegration of the wire mesh that surrounds the building M2.

The visual borderline, the boundaries of an image, the physical barriers, are not able to set also a sound limit. Although the conversation with any kind of restriction or borderline is in many cases challenging, in this case, for artistic reasons, such an artistic debate can be initiated only if by the end of the event the physical barrier will disintegrate. The border will be deconstructed and abolished through and within the artistic act itself.

D. Maronidis | Concept | Composition | Electronics | Sound Design | SuperConducting
M. Sionas | Direction
C. Gousios | Audio Engineering
D. Fotiadis, P. Metaxas, T.Sourgounis, Z. Seglias | Conductors

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Multiplexing at MOMus Experimental Center for the Arts | Thessaloniki

Multiplexing, my last kinetic sculpture will be presented at the MOMus-Experimental Center for the Arts at the port of Thessaloniki between 14-26 May 2019. (www.cact.gr) as a part of the exhibition Visual Symphonies

In telecommunications and computer networks, multiplexing (MUX) is a method by which multiple analog or digital signals are combined into one signal over a shared medium. The aim is to share a scarce resource. For example, in telecommunications, several telephone calls may be carried using one wire. Multiplexing originated in telegraphy in the 1870s and is now widely applied in communications. In this particular work, the idea of MUX is transferred into the sound domain. A series of logically performed processes are channeled and distributed through a transistor array, activating a matrix of micro-sound sources and building a larger, mechanically generated, soundcloud

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Premiere of Mise en abîme by Altera-Shock in Riga | Latvia

Mise en abîme for ensemble and electronics is going to get its premiere, on the 30th of  October at Riga | Latvia. The performance is based on the collaboration of two modern music ensembles, Art-i-shock and Altera Veritas.

Mise en abîme, is a term used in visual arts to describe a formal technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. A common way of experiencing this effect is by standing between two mirrors, seeing, as a result, an infinite reproduction of one’s image. In this piece, I try to imitate this phenomenon in the field of sound. Fragments of music are repeated many times, each time slightly distorted, in order to create perceptually the same effect.